"Elvis, The Concert"

“A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage..”

“..It’s my favorite part of the business..live concerts”. (Elvis Presley)

         

“Few things glorify a great talent more than surrounding it with other great talents. Elvis Presley worked with some of the music industry’s  finest singers and instrumentalists, the same people who are now reunited for Elvis, The Concert.”

The astounding production  that reunites former Elvis bandmates live on stage with a state of the art video-projected Elvis, continues its historic, and critically acclaimed world tour, which began in America in 1998.  

In his lifetime Elvis’ only concerts were five shows in three Canadian cities in 1957. A world tour was an unrequited dream for Elvis and for his international fans. More than twenty years after Elvis’s death, the dream has come true.  

 

 

The show’s concept is to present an authentic as possible Elvis Presley concert. On stage a 16 piece orchestra and a group of original bandmates from the concert  era of his career perform live with the Elvis video. All music heard in the concert production is performed live exept for Elvis’ voice. On either side of the Elvis performance screen are screens that carry live action from this stage. From the first song it’s magic. You’re at a real Elvis concert.  

 

The footage is chosen from Elvis’ finest concert performances that exist on film or videotape. The other criterion is that A multi-track recording of the particular performance exists. To prepare the Elvis footage for the concert, all sound is dropped from the footage. Then, from the original master multi-track recording of each concert performance, the isolated track that recorded from only Elvis’ microphone is returned to the footage. Thus, the footage is presented in the show with all sound removed except  for Elvis’ lead vocal. All backing vocals and instruments are performed live by the cast.  

The Cast

James Burton, lead guitar  

James Burton began his career at age 14, playing guitar in the house band for Shreveport’s famed Louisiana Hayride. While playing in Dale Hawkin’s  band in 1955, he wrote the music for the hit song Susie-Q and recorded it with Hawkins. In 1957, he  began a nineyear run as guitarist for Ricky Nelson and weekly appearances on the Nelson family’s classic television show “The Adventures Of Ozzie and Harriet”. Among the many artists he has recorded with over the years are; Elvis Presley, Ricky Nelson, Jerry Lee Lewis, Roy Orbison, Frank Sinatra, Dean Martin, and many others. Elvis himself called James Burton and asked him to help put together a band for his 1969 engagement in Las Vegas. Burton was Elvis’ lead guitarist in concerts for Vegas and national tours, and on many recordings, from 1969 until Elvis’ death in 1977. Photo to the left; me and James Burton. 

Glenn D. Hardin, Piano

Glen D. Hardin grew up in Texas and made his firts way to Los Angeles in the fall of 1961 after leaving the U.S. Navy. By early 1962 he was playing piano at the Palomino Club and soon started touring with the Crickets. Over the years he has worked as an arranger and recording session pianist with artists such as Elvis Presley, Emmylou Harris, John Denver, Marty Robbins, Willie Nelson, Sammy Davis, Sonny & Cher, Roy Orbison and so on. He worked with Elvis from 1970 to 1976, playing live concerts with Elvis, creating some of his arrangements and being a part of numerous Elvis recordings.                  

Ronnie Tutt  
Ronnie Tutt is originally from Dallas, Texas. He studied music at the University of North Texas, played gigs in the Dallas/Fort Worth area, and held staff positions (drums and vocals) at two “Jingle” studios. In 1963 he moved to Memphis and played with some of that city’s great rhythm sections during an exciting time in Memphis music history. In 1969 he auditioned for Elvis, who was putting together a band for his Las Vegas engagement. He got the job. Beyond talent as a drummer, what seemed to put him above the competition was his way of connecting with Elvis..watching him, making eye contact, anticipating  where Elvis was going with a song. From 1969 to 1977 he was Elvis’ drummer on stage and on a number of recordings. For a long time Ronnie Tutt was a studio musician in Los Angeles, later relocating to Nashville. Photo above from left to right; Jerry Scheff, Ronnie Tutt & James Burton

The Sweet Inspirations, vocals Estelle Brown, Portia Griffin, Sylvia Shemwell, Myrna Smith  

The Soulful harmonies of the Sweet Inspirations have enriched recordings by Aretha Franklin, Wilson Pickett and other legends. They have collaborated with writers and producers such as Carole King, Burt Bacharach and Hal David. They’ve had success with R&B, gospel and pop recordings of their own, most notably their first hit single Sweet Inspiration, which gave the group their name in the late sixties and earned them a Grammy Nomination. It was that song that caught the attention of Elvis Presley, who signed them to provide backing vocals and be an opening act for his record-breaking Las Vegas engagement, his official  return to the live concert stage after his triumphant ’68 special and the end of his Hollywood movie contract obligations. No audition was required. The Sweet Inspirations met him when they arrived for the first rehearsals for the ’69 engagement.  The “Sweets” worked with Elvis in Las Vegas, on his national concert tours and on recordings from 1969 to 1977.  

        

The Imperials

Sherman Andreus, Terry Blackwood, Jim Murray  

                                                    

(Me and the Imperials, October 20, 2002)

The Imperial Quartet was one of several vocal groups that, beginning in 1969, backed Elvis in concert. In 1969 the Imperial Quartet consisted of Jake Hess, Jim Murray, Gary McSpadden, and Armand Morales. The group later consisted of Terry Blackwood, Joe Moscheo, Armond Morales, and Jim Murray. Other members included Roger Wiles and Greg Gordon. The group won a number of Grammy Awards for their gospel music: "No Shortage" (1975), "Sail On" (1977), and "Heed The Call" (1979). In August 1971 the Imperials left Elvis to perform with singer Jimmy Dean. The members of the group were unhappy with the salary that Colonel Tom Parker was paying them. They were replaced by J.D. Sumner and the Stamps.

Elvis loved gospel music, particularly male gospel harmony, which was not only a major part of his gospel recordings, but also an element in the sound of much of his pop, rock and country work. The imperials first worked with Elvis doing some of the backing vocals in the 1966 sessions for his “How Great Thou art” album, whick won Elvis his first Grammy award, Best Sacred Performance for 1967. The Imperials first worked on a regular basis  with Elvis on stage and in the recording studio from 1969 until the latter half of 1971, beginning with his triumphant 1969 Las Vegas  engagement. A major highlight  of their collaboration with him was the 1971 recording of He Touched Me (released in 1972)  an album that earned Elvis his second Grammy Award, Best Inspirational Performance for 1972.