"Aloha From Hawaii"

 

By the day of the show, RCA had accumulated advance orders for more than one million records. Elvis knew he couldn’t duplicate the show he had given in New York six months earlier because it had already been released and was also a top-selling live album. 

The special provides a good example of his stage show from the 1970s, a period in which he embodied the term “Superstar.” His band and orchestra began the performance with the opening strains from the theme “2001 A Space Odyssey.” The sonorous sound of the kettle drum solo, which signaled the conclusion of that segment of “Zarathustra,” segued into the driving rhythms of “See See Rider,” Elvis’ opening number. At that point, Elvis bounded on stage , strutting back and forth in front of the audience and showing off his costume, complete with cape. Grabbing a guitar, which he rarely played but used as a prop, Elvis began singing the chorus to “See See Rider.”  

  

Elvis sang a variety of songs throughout the concert special, including his current hit, “Burning Love”, as well as the past hits “Hound Dog,” “Love Me,” and “Fever.” Without much time to prepare new songs, he settled upon standards like “I Can’t Stop Loving You,” “Welcome To My World,” and “I’m So Lonesome I Could Cry.” He also decided to reprise several songs he had introduced during his Vegas stint in August 1972, among them James Taylor’s “Steamroller Blues.” 

During the course of the evening, he removed his cape, and while singing “An American Trilogy,” he tossed his studded belt into the audience. For the finale, Elvis sang his standard closing number, “Can’t Help Falling In Love,” which built up to the large-scale sound typical of his style of that era. By the time this number had begun, Elvis had resumed wearing his cape, which typically signaled the end of the show for his band and the audience. Usually, he concluded the number by dropping to one of his knee in the spotlight, grabbing the ends of his cape in his hands, and spreading the garment out behind him, a grandiose gesture befitting the World’s Greatest Entertainer. On this night, he added an extra touch by throwing the cape into the crowd, where it was caught by a lucky fan. As the orchestra reprised “See See Rider,” Elvis left the stage. As usual, he did not return for an encore.

The night after the show Elvis found that he wanted to thank “The Memphis Mafia” for having been part of making the show a success. Elvis, Joe Esposito and Marty Lacker visited the hotel’s jewellry shop and bought emerald and diamond rings for the group’s wives. During the ladies joy at having been given costly jewellery in addition to the Hawaii trip, Elvis started handing out envelopes to “The Mafia”. Each was found to contain a cheque for $1,000. Elvis: “Thank you for having helped me make this special time a great time for me.”

                                                           

That Summer he had scored a No.2 hit with “Burning Love,” so the audience would expect to hear it. Another recent addition to the set list, Marty Robbins “You Gave Me A Mountain,” seemed to take on an even greater significance in light if the daunting prospect of performing live to billions of people. The billions of people who made up Elvis’ global audience witnessed a flawless performance. Elvis was focused and desperately intent on rising to the occasion. There were no monologs – just the barest of introductions. Elvis wanted nothing to detract from the music. Nor did the scale of the event seem to daunt him.  A tape of the show was seen on April 4th, 1973 on NBC. The live broadcast in January attracted 37.8% of the viewers in Japan, 91.8% in the Philippines, 70% in Hong Kong, and 70-80% of the viewers in Korea.

           

The April showing in America attracted 51% of the television viewing audience, and was seen in more American households than man’s first walk on the moon. In all, it was seen in about 40 countries by one billion to 1.5 billion people. Never had one performer held the world’s attention in such a way. There was a live audience in the arena for the rehearsal show , also called “The Alternate Aloha”, as well as the actual special. There was no set ticket price for either performance. Audience members were asked to pay what they could afford. With nothing held for expenses, all ticket sales benefited the Kui Lee Cancer Fund in Hawaii. Elvis even paid to get in himself, as did the Colonel. All proceeds from merchandise sales were also donated. It was projected that the shows would raise $25,000 for the fund, but Elvis proudly announced during the satellite broadcast  that $75,000 had been raised. Elvis was in top form physically and vocally. This was probably the pinnacle of his superstardom. In fact, that night, he redefined the term superstar. For Colonel Parker, it clearly stands as one of his all-time biggest deals and greatest promotions.  

               

A tape of the show was seen on April 4th, 1973 on NBC. The live broadcast in January attracted 37.8% of the viewers in Japan, 91.8% in the Philippines, 70% in Hong Kong, and 70-80% of the viewers in Korea. The April showing in America attracted 51% of the television viewing audience, and was seen in more American households than man’s first walk on the moon. In all, it was seen in about 40 countries by one billion to 1.5 billion people. Never had one performer held the world’s attention in such a way. There was a live audience in the arena for the rehearsal show , also called “The Alternate Aloha”, as well as the actual special.

 

 There was no set ticket price for either performance. Audience members were asked to pay what they could afford. With nothing held for expenses, all ticket sales benefited the Kui Lee Cancer Fund in Hawaii. Elvis even paid to get in himself, as did the Colonel. All proceeds from merchandise sales were also donated. It was projected that the shows would raise $25,000 for the fund, but Elvis proudly announced during the satellite broadcast  that $75,000 had been raised. Elvis was in top form physically and vocally. This was probably the pinnacle of his superstardom. In fact, that night, he redefined the term superstar. For Colonel Parker, it clearly stands as one of his all-time biggest deals and greatest promotions.  

Elvis, looking great, gave a perfect show. In my opinion, Elvis did a great job with "An American Trilogy," "What Now My Love," and "My Way."